Pivot Schmivot

This year, Nakai Theatre decided that instead of the usual Comedy Fest they usually put on - they would replace it with something called "Pivot" - an extreme theatre event. From the press that touted this new festival, words like: "Groundbreaking, extreme, and out-of-the-box".
From Tara McCarthy's article in the Jan. 25th issue of What's Up Yukon, David Skelton mentions that Nakai was finding that Whitehorse audiences: "were moving away from being as satisfied with the stand-up and sketch comedy" and that one of Nakai's responsibilities: "is to expose Whitehorse audiences to a high quality of professional theatre"
That's some pretty bold statements there, and if you're a regular Yukon culture vulture - you might agree that Pivot would have to be pretty impressive indeed for all that pomp to ring true.

I'll admit, I only went to one evening of the Pivot festival, but I saw the bulk of shows that were being offered. And honestly, I felt a little guilty for having comp tickets, only because I felt so damn sorry for the few people who paid. Let me stress the "few" part of that statement.
It's not my intention to point a finger at Nakai and laugh, but boy, Pivot certainly added to the Hindenburg-like qualities that Nakai has slowly been building.
The shows at Pivot were pretty much the exact kind of fare anyone could see at any Fringe festival in North America. The difference being that one has much more choice at a Fringe festival - so you're likely able to see something you like.
There was nothing likeable about the shows at Pivot (mind you, I didn't see "This is Cancer - Live" and I'll go out on a limb and say it was probably good - Bruce Horak has some cred). David Bateman's monologues were so disjointed, obviously unrehearsed and pretty dull. Gay guys talking about their mothers and comparing them to glamourous stars of the past - it's actually kinda cliche. I did make a good mental grocery list during his show though - so thanks.
He couldn't handle his props, and didn't seem to have a grasp on where he was going. It was pretty unprofessional seeming - not unlike a crappy Fringe show.
"Lounge" was better, but that's not saying much. It was split up into two acts, and the second certainly killed what little momentum the first had.
Neither show was groundbreaking, extreme or thought-provoking.
Taking a look into the crowd, you could see the usual folks who go to Arts events in Whitehorse. We've all seen stuff like this before, and we've seen it done better. I've seen more entertaining things done at Homegrown.
This festival had no heart, and no drive. Just the fact that there were so many free tickets handed out should be telling.
Last year, me and a little group of like minded amateur comedians put together two nights of sketch comedy. We had the Westmark ballroom filled with people, and we put on a pretty decent show. While we certainly had some low moments, this was relatively new to us, and we had a lot of room to grow.
Nakai couldn't even fill one third of the ballroom, which was their main venue.
Just add that to the growing list of things Nakai has lost money on.
While I'll completely agree that Nakai should be the last people to run a comedy fest in the first place, at least they were trying before. Now - not so much. If they can pull people like Ron James and Cathy Jones up here for fundraisers (that they lost money on by the way), one would think these people would be perfect anchors to build a comedy fest around.
Pivot was a pretty uninspiring festival, right where we needed somethign bright in our dead of winter. This has me worried about Homegrown, and if Skelton will have his hands in what shows will be put on.

Then again, as they say, if you want something done right...